The action takes place in our days. A young, creative team of Russian and Kazakh TV crews dispatched from Almaty to Afghanistan to film the documentary "In the Footsteps of Alexander of Macedon." Accompany and protect them called Marat Ayumov, a former soldier-internationalist who fought in Afghanistan and who lost his legs there. He is fluent Farsi, is familiar with local customs, traditions and Afghan "laws". Because of driver error band is at the wrong time in the wrong place, and the usual business trip turns into a dangerous adventure that leads them to forget about the original purpose of the trip. To save young people can only marvel, and as it turns out, their conductor. He once served as part of a "Muslim Battalion" GRU Soviet Union under the command of legendary Afghan war, the Kara-major, and he has his reasons for returning to the place of fighting, not related to the broadcasters - he is looking for the grave of a friend lost a lot in Afghanistan years ago 　　Kazakhstan's first film having a 3D-version 　　Kazakhstan's offcial submission to the 84th Academy Awards for Best Foreign Language Film

讲述一战时期一名法国寡妇偷偷收留了一名协约国澳新军团的逃兵

一位患有创伤后应激障碍的战争老兵与一名少女成为朋友。

In the middle of 1938, Kamei Fumio and his film crew got themselves attached to an infantry regiment which they followed around through China for about four months, filming their marching and their fighting and their waiting and their dying - in short, their suffering, and not theirs alone, but also that of the people around them, their designated enemies.

Shlomi, an eighteen-year-old Israeli soldier, flees the Gaza battlefield and heads to his girlfriend in Tel Aviv only to discover that the IDF elite is convinced he was kidnapped in the fog of war. This is a tragi-comic journey, taking place over a period of 24 hours in the hot and humid streets of Tel Aviv, shifting from terror to hope, from romance to nightmare. 　　Director's Note: 　　The clash between love and law is also the clash between breathless running and paralysis. One pushes Shlomi to defect from war-torn Gaza to Tel Aviv, to his beloved's arms. The other threatens both his existence and the world around him. 　　源自：https://www.locarnofestival.ch/festival/program/film.html?fid=48264a36-086e-4c15-a0bd-d9266c3d24c4

讲述一战时期一名法国寡妇偷偷收留了一名协约国澳新军团的逃兵

In the middle of 1938, Kamei Fumio and his film crew got themselves attached to an infantry regiment which they followed around through China for about four months, filming their marching and their fighting and their waiting and their dying - in short, their suffering, and not theirs alone, but also that of the people around them, their designated enemies.

This Cuban film focuses on the history of foreign intervention in Laos, first by France and then by the United States. It shows how the liberation forces of Laos, under continuous U.S. bombing, were able to run an entire society in hidden caves and tunnels. Through the leadership of the Pathet Lao, they organized schools, cultural activities, clinics, as well as political and military activities literally underground.

From his own filmed report about deserters and a civilian organisation supporting peace, sticking to a documentary style, the film-maker looks at the lives of soldiers who deserted the Vietnam war and fled to Japan.. A Puerto-Rican, who deserted eighteen months earlier, is working to make his utopian ideas come true. A black man, who is too scared to leave his room since he escaped, cannot walk any more.